Wednesday, November 03, 2010

Mama

I went for a visit last night and found momma in pretty good spirits. After I told her who I was and what I was doing there, she made a few very puzzling comments. Then we went for a walk down a few hallways and looked around.


Conversation is truly nonsensical. Also, her hair is falling out.

The best part of the visit [for me] was when I went to the closet and retrieved a book that I'd given her long, long ago. She once told me that she'd read it over many times so I had the sense that she might have liked it. I advised that it was story time and she became quite subdued. Since I enjoy reading aloud very much, it was a nice few moments for both of us. She ate a few grapes and listened, seeming to enjoy the story.

Soon she became tired and a couple of workers came in to put her to bed. I said goodnight to her and made my exit, feeling slightly less guilty than I had before I arrived. I have not visited very regularly in the past few months.

As I was walking through the door, I heard her ask the two workers: did you see my husband?

You never know what kind of impression you are really making on someone...

Gum Chewer Man

I found the last chiclet stuck to your pocket


sticky but the flavour was still there

From what I could tell

you licked it

then

left with only your t-shirt and

that hat with the unreadable word

on the brim

So long gum chewer

so

long

Birth of a Song

Birth of a Song

It's a shame I never really learned to play
my guitar the way I always wanted to
Remember me? I'm the one who'd strum away
with eyes closed pretending fingers knew what to do

If I'd have practised more I coulda got it right
wouldn't lose time in the middle or wind the strings too tight
If I'd have taken care a little time each day
I could play what it is I wanna play [and I wanna play]

Somebody once whose name is lost in the past
said do not worry for hindsight is twenty twenty
What did he mean I'd like to ask
What good is hind if the future is full or empty?

And so I write and sing a dissonant harmony
Losing time and stumbling, freefalling willingly
I sing as a strident bird on electric highwire
My song slips, surfing wind, a cloud in a fire

It's not so sad, I never really learned to play
my guitar, I tune it off key anyway
Remember me, in a slow shuffle to old and gray
Making rhymes, singing lines, keeping time in my own way

Sisters

The Last Lullaby




It's been five years ago tonight
I held your hand in candlelight
And as you gently closed your eyes
I sang to you Irene goodnight

O sister when I take a walk
I think of you and how we'd talk
And how you'd always find a way
To lighten up a darkened day

And here am I who must remain
A rolling stone a burning flame
No melancholy verse have I
No one to answer how or why

So late tonight I light the flame
That brings you to me once again
And through a whisper I may cry
I know you're somewhere taken flight

It's been five years ago tonight
I held your hand in candlelight
And as you drifted off to sleep
I sang to you Irene Goodnight

I sing to you Irene Goodnight

War

Which Side




My soldier boy all dressed in black

draws out a knife and his compass

Squinting west he salutes his flag

feeling sure of his goal his mark



While on his way his footing slips

and flat to the dust he slides

Looking east his eyes wide open

an uneasy feeling lurks and rising



My soldier boy all shreds and torn

youth banished from his skin

Rotting teeth mirthless heart

how barren he feels within



While on his way his map is lost

his senses alone will guide him

who are my enemies he whispers soft

who are my friends beside me



Roll on my brown-eyed soldier man

whose gait is tired arhythmic

Your goals obscured by shadows green

collective souls forbidden picnic

The Wasting Man

The Wasting Man




Shuffle slow

Nowhere to go

Eyes on the ground

Looking for a sign



Remember when

Way back then

You had a dream

A plan for something



Nobody knows

So it goes

What is the point

Root of the cause



Whispered song

You get along

Stepping over cracks

On a tired road



Somebody smiles

Long muted miles

Your light is on

Flashing no return



Extended hand

Slow reaching warmth

Rise up to grip

A new horizon

Going Under

Going Under


As I stand on the frozen lake, you take my photograph. The last sound I hear, I think, is you, not the camera or the crack of the ice. It's you.

Laughing softly as though you'd just remembered a joke.

In November, the water is cold but I only feel it for a second as I slip under. The shock forces my eyes permanently open so I see the ripple, surprised at how small and quiet it is. I descend to the swaying underwater garden. A few fish slip by, gracefully altering their course to bypass the bulky sea creature in their midst.

The ice is not nearly as thick as it appears from the upside. In places there are hints of sunlight, gold flecks in the clear depths, etching through where the wind has blown the snow away. I tread water there, letting the gold imprint itself on my eyelids, my cheeks, my lips.

Above, the only evidence our footprints on the snow. Already they are obscured by the drifting, the gentle breeze of a sunny November day.

And my red glove, dropped just before you said 'smile', lingering near the crevice.

The entrance to my new chilly suite.

Run Rabbit Run

Run Rabbit Run


Your sunny hair

cool blue eyes

tan even smile

erect

at ease



Beads on your neck

and something else

silver on chain

shining

clink



And in the darkness

Your whispered horror

hoping blindness wins

sleep

elusive



Morning rises new

I startle your beauty

fragile perfect man

shattered

fragment



We go laughing

to the freedom stream

you hold me in

closer

firm



Your sunny hair

faraway smile adrift

you are again

Rabbit

run

Sister

Sister


When you said I'll cure you

I believed I trusted you

Who wouldn't want to be cured of pissing the bed

of waking a-shiver and stink



Wait 'til they're gone

You reassured me

I agreed I needed you

While I played we waited quiet

mom and dad dressed

mom and dad left you in charge



While I played skiprope

And you sang

You reassured me

You smiled sweet

Then helped peel away my dress

all of it comes off

all the bad stuff washed away



But that tub was full of ice

I cried please

I reached upward

And you were so determined

your eyes clouded your lips thin

frozen heart



I hardly ever blame you

You did your best

You reassured me

But now and then I remember

how your arms held mine under

my breathlessness

Dirt Poetry - fhaedra's Myspace Blog |

For Johnny

For Johnny


I printed the email

that told me of your fate today

It was from someone I've never even met

Your step-daughter whose name

I recognized from all the Christmas cards

you wrote me through all these years



Another lost opportunity was what I thought

After I stopped shaking I mean

You weren't supposed to go down so soon

It was just three months ago

you said you wanted me to know

you had something to tell me



I remember you, Johnny man

hammering on your snare

signaling a cue with a drum roll

You really listened

I recognized that you know

You with your brown eyes speaking no idle words

But when you counted us in

you were always right on time



I remember you and your gentle, generous ways

How you felt so lucky to have found your love

That beautiful girl

Couldn't believe she picked you



All you ever wanted

was to live a simple, quiet life

Long enough to get old

or at least tired of something



I remember your sailboat, Woodwind

You built every part of her yourself

And took us privileged ones along with you

to paradise

so long as we were good mates



And that cove where we anchored

to bob in the waves

and watch the sunset over the Island

the warmth of the sand

the safety of friendship

the forever contentment



I remember you, my friend

always there but so far far away

I never saw you again after all that craziness

and youthful fun we shared

You and your drums in perfect pitch

And me with my little voice--



But I hear your rattat-ta rattat-ta ta ta da dum

I feel the thwump as your foot punches the bass

And it's still there, Johnny John

there's only one drummer man for me

Improvisation

Improvisation


I dropped the cards. Someone from stage left, the young man I spoke with about that Tom Wolfe novel earlier I think, made a motion to rush toward me but he was jerked back by a long arm grabbing his jacket from behind the curtain. There are no recovered fumbles here; he must have forgotten that for a second.

The cards don't matter. They are props, a necessary but pointless accessory.

Sometime I should confess to my penchant for improvisation. But not now. I am in no mood to sit in the little box with a voyeur stranger [holy or not] holding up his neutrality with a forefinger alongside his cheek while I admit to my fetish for the immediate, the unplanned, the delicious spontaneity of the moment. What would he care? He who listens day after day without a hint of a smirk to the bawlings of repentant sinners hoping for redemption. To how many times you lied to your mother or to the reasons why you stole your neighbour's Iron Butterfly collection? He is but the vessel, existing to deal out the dollop of penance to match your dirty deed and thereafter to absolve you of the burden of it.

No, I will not confess today. Not until I can accept the consequences of my forthrightness. The echoes of voices past bellow to me in self_righteous indignation at even the whispered hint of the bohemian live for today! For now, it's best if I hold my dirty little secret.

Most times I stand before the podium, a neat stack of three by five cards clutched in my hand. The cards are green, yellow, orange, and blue. A few are white with the top right hand corner nipped off for effect. I order and re_order the cards while I stand there in silence. Shuffle shuffle shuffle. Now and then I linger on one, to the onlooker appearing to study its content in preparation for my performance. I pluck a few out, place them on top, then tap the stack lightly against the edge of the podium, signalling my readiness and on cue the single hazy blue spotlight illuminates. I inhale slowly, deliberately prolonging the moment. Then, looking out at the occupied blackness, part my lips to begin.

I speak slowly, searching for the rhythm in the words. I glance down at the cards from time to time as though to find my place of reference, my roadmap. I draw on the breath and other emissions of those who listen intently with interest or with the sweaty anticipation of bearing witness to a pitiful flop.

The words and images spill from me in fragments of rhyme and in lengthy, complicated passages that wind down endless country lanes awash with succulent sunlight or soar out past Jupiter to high five Orion then sweep down a river's whitewater current to limp like an airless tire through an unswept alleyway finally to land at the shadowy entrance of a roadhouse joint where loose_hipped jangoes shake the night away in distracted bliss.

When it's over, I look out, imagining the collective gaze of those who came. I nod my thanks and close my eyes as the spotlight gradually extinguishes.

I bend to quickly collect the fallen cards, blank except for the remnant of my practising to write backwards with my left hand. It is a skill I want to acquire.

I back away and slip behind the curtain, engulfed by the acrid smell of it.

I don't need the cards. I always have something to say when it's time.

This is my gift.

What I Like

Thursday, August 23, 2007


Digging Earth

Current mood: grateful

Category: Writing and Poetry

Fiction

What I Like









Lena sifts through some of the papers strewn across the wide arms of her overstuffed chair and on the table immediately to her left. She is careful not to tip her coffee cup. She sits cross-legged as she sifts and reads and thinks. Sometimes she makes a few notes so she can review what it is she forgot to do the day before. Or boots up her laptop to check if any of her stranger e-friends have sent her news about anything. Charles reads the newspaper. You pronounce his name 'Sharl'. He does not like to be called Chuck or Charlie.



He eats cashews while he reads the National Post or a new financial planning book. Or the financial page of the National Post. Sometimes he still reads the Rolling Stone and he'll tell her about some new music release they should acquire.



Lena and Charles are peaceful after all these years. They have built a fine life and, in a few more years, they can quit the rat race and move to their home in the country. Charles has done the calculations set out in that book about how much is enough and has decided that in seven more years they will have that much.



Enough.



What Lena likes is that she is no longer bothered by some of Charles' bad habits that, when they were younger, would drive her mad with rage. She no longer gives a hoot that he still slurps when he drinks something with ice. That he still uses the word fuck as a noun, an adjective, and a verb more than anybody she knows. That he still settles arguments by intimidation.



She supposes that's what happens if you stick with it long enough. It is not complacency, it is maturity, she tells her friend, Melissa, who next week will marry the third love of her life. The perfect man, finally, she tells Lena.



They are no longer lovers but this doesn't matter. At least not to Lena. She is through with all that sweating and groping. And she is relieved to know that it appears he is through with it too. They walk naked around the house but it is not because they think it sensuous. It just is.



Lena and Charles. When she says their names like that, it's like she is referring to one thing. They are a lenandcharle. They have forgiven each other all past transgressions. They accept each other for who and what they are, faults and foibles and grace melded together. And there is almost nothing he does now that can make the hair on the back of her neck tingle.



Except this one thing.



He is doing it now and she burrows deeper into the chair, slipping on the earbuds connected to her ipod. As usual, she can't help herself and glances over at him. She is a passerby at a grizzly car crash, moving in slow motion in order to gock at the mess.



He is doing it. Taking his top teeth out and slowly sucking them clean. The way he does it is almost seductive. Almost.



The cashew bits get stuck and he has no choice, he claims. But does he have to do it in public? she once asked. He just grinned, toothless, lips caving in like an old man. You are not the public, Lena.



Oh well, she thinks, when he is done and she can breathe out again. You can't have it all. Charles. Lena. She clicks on the little wheelie thing until the song starts up. 'What I like aboutchu, you keep me warm at niieeeeght.'



Currently listening:

FictionWhat I Like




Lena sifts through some of the papers strewn across the wide arms of her overstuffed chair and on the table immediately to her left. She is careful not to tip her coffee cup. She sits cross-legged as she sifts and reads and thinks. Sometimes she makes a few notes so she can review what it is she forgot to do the day before. Or boots up her laptop to check if any of her stranger e-friends have sent her news about anything. Charles reads the newspaper. You pronounce his name 'Sharl'. He does not like to be called Chuck or Charlie.

He eats cashews while he reads the National Post or a new financial planning book. Or the financial page of the National Post. Sometimes he still reads the Rolling Stone and he'll tell her about some new music release they should acquire.

Lena and Charles are peaceful after all these years. They have built a fine life and, in a few more years, they can quit the rat race and move to their home in the country. Charles has done the calculations set out in that book about how much is enough and has decided that in seven more years they will have that much.

Enough.

What Lena likes is that she is no longer bothered by some of Charles' bad habits that, when they were younger, would drive her mad with rage. She no longer gives a hoot that he still slurps when he drinks something with ice. That he still uses the word fuck as a noun, an adjective, and a verb more than anybody she knows. That he still settles arguments by intimidation.

She supposes that's what happens if you stick with it long enough. It is not complacency, it is maturity, she tells her friend, Melissa, who next week will marry the third love of her life. The perfect man, finally, she tells Lena.

They are no longer lovers but this doesn't matter. At least not to Lena. She is through with all that sweating and groping. And she is relieved to know that it appears he is through with it too. They walk naked around the house but it is not because they think it sensuous. It just is.

Lena and Charles. When she says their names like that, it's like she is referring to one thing. They are a lenandcharle. They have forgiven each other all past transgressions. They accept each other for who and what they are, faults and foibles and grace melded together. And there is almost nothing he does now that can make the hair on the back of her neck tingle.

Except this one thing.

He is doing it now and she burrows deeper into the chair, slipping on the earbuds connected to her ipod. As usual, she can't help herself and glances over at him. She is a passerby at a grizzly car crash, moving in slow motion in order to gock at the mess.

He is doing it. Taking his top teeth out and slowly sucking them clean. The way he does it is almost seductive. Almost.

The cashew bits get stuck and he has no choice, he claims. But does he have to do it in public? she once asked. He just grinned, toothless, lips caving in like an old man. You are not the public, Lena.

Oh well, she thinks, when he is done and she can breathe out again. You can't have it all. Charles. Lena. She clicks on the little wheelie thing until the song starts up. 'What I like aboutchu, you keep me warm at niieeeeght.'